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Monday, November 5, 2012

The Crying Game Movie

Fergus has been instrumental in the pose of Jody, and forthwith he is charged with guarding the other man. Fergus is somewhat distinguishable from the others in the wrath cell from the first. For one thing, he does not have the anger toward Jody that the others have, an anger which they use to justify their actions. Fergus may try to achieve the same level of righteous indignation, and he is handicapped because he always suss pops Jody as a human being. There are clear differences between Fergus and his captive. Jody is threatening and racial differences are emphasized in their conversations with one another. Jody is American and Fergus Irish. Jody is a soldier, and Fergus sees himself as a soldier, though in an unsanctioned army. The two have both differences and similarities which emerge as they talk, and Fergus begins to key with aspects of Jody's life, notably his loyalty to and belief in Dil, the lover he has left behind in the city. Jody begins as the militant ira member who captures Jody and guards him, but as they talk, he sees Jody more(prenominal) and more as a human being and gains a growing sympathy for him, that contrasts with the way the others in the cell view their captive--they see him only as a captive, as an object, as an token of what they hate. The story of the frog and the scorpion emphasizes that people tend to act out of their inner nature, though they may not know what that is.

The surety drama in the film ends


badly, with the death of Jody occurring more by accident than design. Fergus has promised Jody that he lead find Dil and buy her a drink, and he sets out to do just that. He has traded his old way for a unexampled way of viewing the world and his place in it, and it is unsettling to him. He is a scorpion who no longer wants to be a scorpion. He has recognized that the scorpion garb he wore was something he assumed and not his real nature. He now sees himself as a candid man who has been caught up in something in which he no longer believes. He is recognizing a truth that he could not see before, a truth about himself.
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Even as he attempts to pursue a different course, he does so in a way that forces him to assume a in the buff identity as Jimmy and to pretend to be something he is not. He approaches the rest of the world as if it were a candor he had never seen before and that is only open to him now because Jody has opened the way for him, and yet this world as well(p) is not precisely as it seems. Always Fergus is forced to reevaluate his own life and the world in which he finds himself. In a conversation with Jody, he had said that he had stop being a child and had put aside girlish things. This is meant to be an affirmation that he has be come about an adult and understands his actions as he did not when a child, but as we see, he more and more questions whether this is the case. He finds that believing himself to be a good man is not enough, for he will be tested and must prove himself, as he ultimately does.

This test comes as his old life and his new come together when his former lover, Jude, returns and demands that he participate in an IRA action. The two of them have grown further apart--she has become more aggressive and assertive, if anything, and he has tempered his views and adapted a di
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