It is the journey, not the arrival, that ultimately transforms the traveller - particularly for inventive journeys, which oft occur spontaneously and is undecided in its destination. The experiences one see to it during their travel/travail is what evolves them to separate understanding of themselves and the world, inspires them to spiritual reform, which constitutes the instructive and/or therapeutic qualities of the imaginative journey.
While the philanthropic vision of Coleridge, in This Lime Tree Bower My Prison, and John Lennon, with his gentle utopianism in the song Imagine, articulate a milder, positive philosophy of such(prenominal) experiences, the murky and subterranean landscape of the human psyche varicolored by Atwood in Journey to the Interior, and the arduous travel depicted by Leunig in How to Get There send off a mood of doubt and pessimism characteristic of our contemporary, cynical age.
Coleridges imaginative experience propagates through a series of contrast: sin & light, imagination & reality, freedom & trade union movement - which serve to compile in the responders mind a better understanding of the concept of the journey as something that involves the development and transition of a person with new-found ideals or perspectives. His physical incapacitation induces his mood of whiny egotism - reinforced by the petulant monosyllabic hearty they are gone!, and is the catalyst for his imaginative trek.
As his questioning powers recreates the sights and sound of his friends physical trek, he begins to bundle their joy. Tactile images equal springy heath and speckled by the midday sun transports the traveller to the scene - thus we are able to share his spiritual change, being moved and transformed from self-centred ignorance to altruistic participation in nature & God. A similar progression occurs in his poem Frost at Midnight, where the fabricator escapes his physical stagnancy through an imaginative, introspective journey: with unclose...
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