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Thursday, April 11, 2013

Examine the character of Bosola in Webster's The Duchess of Malfi. To what extent is he typical of the malcontent in a revenge tragedy?

The ill-affected is a certain instance type that emerges in Jacobean revenge tragedy. Examples include figures like Fords Vasquez and Middleton and Rowleys De Flores. In The Duchess of Malfi, this is the character of Bosola. A malcontent can be identified by a number of traits. He is a discontented person; a rebel; disaffected, satirical and melancholic; bereaved or dispossessed and detached from an often corrupt society by his grievances; he has knowledge and intelligence without status. As one the bring out characters in The Duchess of Malfi, Bosola can easily be studied to chaffer if these traits of the malcontent are present in his own character.

        The initial presentation of Bosola in the first scene of the play sure enough does agree with this description of the malcontent. Antonio defines him as a black malcontent whose foul melancholy will poison all his virtue. We witness him making sarcastic remarks, being critical of accost and Church, feeling bitter after his imprisonment in the galleys and he put one acrossms perceptive showing his intelligence despite lack of assign in the society of Malfi. The very first description of Bosola by Antonio asserts the popular opinion of Bosola by the characters in the play, and this agrees with the statement that Bosola is a malcontent:

                          Here comes Bosola,

        The only court-gall; yet I espouse his railing

        Is not for simple love of piety,

        Indeed he sound off at those things which he motivations,

        Would be as lecherous, covetous, or proud,

        Bloody, or envious, as any man,

        If he had means to be so.

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Here we see Bosola as dispossessed and detached from others due to his yearning for what he cannot occupy.

        There are many instances in the play where we see Bosola as having knowledge and intelligence without status, although sometimes pedantic in his...

My only advice is that you could perhaps expand on the last suggest you made about the conflicts he finds himself feeling between the Duchess and her brothers. He realises all too late, I think, that he does not have to be corrupt in order to be no-hit and advance - he could have worked under the Duchess who was a fine causa of an important figure within the court.


Good essay though.

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