Luhrmanns Movie Version of Shakespeares Romeo and Juliet Essay

Luhrmanns Movie Version of Shakespeares Romeo and Juliet All discouraging romantics get dreamy-eyed and sigh whenever the balcony scene from Shakespeares Romeo and Juliet comes up in conversation. Juliet stands on her balcony, innocently murmuring about her meeting with Romeo while the very subject of her musings thirstily climbs the garden wall and trellis leading up to the object of his love, Juliet. Anyone think Luhrmanns Romeo + Juliet will be sadly disappointed at first to keep in line that the movie doesnt follow the conventional balcony scene. Instead the clandestine meeting and utter of mutual love takes place in a swimming pussy at the Capulets mansion. For all that the setting differs, Romeo + Juliet does use traditional Shakespearean themes and ideas crimson if they appear in a somewhat untraditional fashion.Luhrmann doesnt want to invert his listening off to his new interpretation so he employs clowning to distract the audience from their preconceptions. Luhrm ann does use the balcony, but in a comedic mood that makes an easy transition for the audience from the conventional balcony to Romeo and Juliet swimming in a pool. Romeo acts like a monumental klutz after ascending the Capulets garden wall. time looking up to see Juliets window, he trips the surveillance lights, knocks over a few things, and generally makes a racket. This is not the lithe and graceful Romeo the audience usually thinks of as seen in Zefferellis version. After climbing the trellis to the balcony, Romeo and the audience expect to see beautiful Juliet through her bedroom curtains at the teetotum of the trellis, but both Romeo and the audience are caught off guard when quite of beautiful Juliet, the plain-faced Nurse appears and almost causes Romeo to f... ...l is omitted because Luhrmann wants to keep the intense, impatient, threatening, explosive feeling Goldman states Romeo and Juliet has on stage.Changing a balcony to a swimming pool seems an awkward telephone to a classic play. With a little bit of comedy and promising usage of symbolism, Luhrmann makes it work. In no way are the themes or inclination of the balcony scene in Shakespeares Romeo and Juliet lost. The audience still sees the passionate love amid Romeo and Juliet. Due to all the differences updating the play for his film, Luhrmann was smart to win over the balcony scene. The traditional scene would have seemed inconsistent with the rest of the film. Despite the omissions of text and change of staging, the audience is still in for a powerful and moving scene. whole works CitedShakespeare, William. Romeo and Juliet. New York Washington Square Press, 1995.