Where she talks about "This carcass, this off-white, ungodly as a child's shriek," there are multiple suggestions that reflect the thesis (Plath 259). "This body"-instead of "my body"-gives the remark the perspective of an outsider, one who regards the body as an object rather than as a living liaison. By referring to it as "ivory," Plath relates it to a dead object-a tusk. Likewise, there is the implication of a
In Plath's (259) poem, there is a genius of the horrific that is evidenced in her talk of blood, funeral, and corpses. Likewise, there is a theme of death. What seems to cause her the most pang, however, is the pointlessness of her life.
The only thing in the poem that reflects a living, breathing person is the actively flowing blood, and that brings with it the impression of pain. Plath's "Childless Woman" is a muliebrity who feels useless, and because the children that might have been would have been her future, she is futureless, as well. Without children or a future, all that she sees ahead of her is death-a death that she is already beginning to experience, as her imagery of death communicates. Her poem is one of angst and despair, of emptiness and impulse for the children that she associates with a life and a future. The childless woman is a grieving woman, rent and bleeding and overcome by the pain of her loss and the future that will never be.
n ivory tower, which signifies that she is shut away from life and inaccessible. It is "ungodly as a child's shriek" because it is frightening and horrific, as though it were a abhorrent corpse rather than a live body.
Plath, Sylvia. "The Childless Woman." In Hughes, Ted (Ed.): Sylvia Plath: The Collected Poems. New York: Harper & Row, Publishers, 1981. Scribd.
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